A reader is to a voyeur as a writer is to an exhibitionist, with some books we’re alone in the dark but with “The Director” talk about lights, camera, action; looking through this author’s eyes is just extraordinary. DIRECTOR, Producer, Lover, Oh My
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So filled by terror, there wasn’t room for shame or modesty while baring every part of myself to strangers. ― The Director, Lily White (2017)
The lack of the author’s fear is what impressed me the most with this title, no shame, no modesty, plenty of terror and nothing to apologize for, though I’m still not giving it five stars, that doesn’t mean it wasn’t wonderfully wicked. A work like this is supposed to make you feel it, to see it, to make it believable and this. Honestly, I wish I could see it on my bookshelf; I hope I could see it on the big screen just saying, I’ve probably seen it in porn here or there I’m sure.
I saw once that we read to know that we’re not alone and I look at my writing, my life, and see the flack I take for it, but again Lily White doesn’t give a rat’s behind she shines the camera directly in your face and dares you not to look away. Maybe that should scare some people but I’ve never published anything like this and she did it, how I would like to know what was going through her head at the time of this but maybe I should focus more on Emma Hart. Now I won’t say the story is somewhat original but this fictional work does give a peek into an all too real world, mentally, physically and the line between right and wrong; yeah wrong and yet I read on indeed.
It’s the usual state of affairs, good girl, bad boy, and if you’re a fan of the dark erotica genre you can pretty much guess what happens next, but it is still well worth the read. No BDSM because such a practice involves rules while the sexual escapades in this are anything goes, and as Jigsaw would say, there will be blood and not just that of the victims. I was also quite fascinated with the artist, and I don’t just mean the author but “The Director,” and it calls into question what would we do to express art in such a form as this.
That’s what got me the most about Ethan Cole, keeping in mind the crime and the evil it was revealing humanity, how easy it is to toss it away and then pick it right back up but maybe we shouldn’t be able to. Speaking of which I didn’t want to put this down, but that’s like being one of the people behind the camera, however, could I continue to look.
Well first let’s start with the hero and villain, no those are the wrong words, the victim and the artist, “beauty and the beast,” I could go on, for now, let’s just say Emma and Ethan/The Director. For such dark subject matter, I found myself transfixed with the beauty of it all from the scenes Ethan shot, to the evolution of both characters and there is a moment that will break your heart entirely devastating.
Emma starts out as the typical woman, what is that wrong to say, walks out on a date with a man only to end up with several worse ones, and the devil himself Ethan. It’s with him that she is forced to evolve or maybe forced is too much counting the fact that she eventually understands where he is coming from, let’s hear it for Stockholm Syndrome of course. From victim to a warrior, to lover Emma pretty much goes through the usual story progression but the ending I have seen in a few stories.
Ethan, now usually I find myself falling in love with the victim but Ethan; I feel like I know him well, any artist and it doesn’t matter which kind whose heard no you don’t do that because it’s risqué, people won’t understand, are you crazy will relate to him. Yes, he’s a monster, but if Emma can fall in love, I can look at the guy as living the dream and after all Emma would become his masterpiece to be sure. What about the lies, I’ve seen those from the most innocent of things like “The Giver” when it comes to our life’s work our creations and the fact that we live such boring lives, seriously Ethan makes good points.
I was also all about the voyeurism and exhibitionism, along with ravishment concepts and it makes me feel somewhat taken aback but then the author wrote this, it’s a fetish to many, and even shows that say this is brutal still show it. Anyway, the focus stays mainly on Emma and Ethan and any other characters are merely extras, like on Ethan’s stage there is only a man and woman.
I can honestly say it’s a four out of five stars and leave it at that, compelling and wholly visceral but comes just short of that spark but honestly a favorite. Also spoilers ahead but as I so often state, in this genre, it always follows the same formula and if we’re lucky a twist here or there, though not The Director so much honestly.
When it comes to stories like this, there is usually a span of a few days, months, a year, but the fact that story looked like it could use a montage of Emma in action. It makes the book seemed rushed by the end, not surprising, not unexpected just quick, though the revelations brought out the artist in me and what would you do with no inhibitions? In a way in reminds me these true-life stories of survival, Lily White’s tale could easily be on the evening news, with her heroine Emma recounting the horror.
Though the most heartbreaking portion wasn’t Emma at all and I won’t spoil it but that twist, talk about being a killer. The idea that even in Hell the concepts of mercy, compassion, even humor are allowed to exist even amongst all the sex and death that prevail overall. What about the bad guy winning, in these stories the villain always finds a sure way to love but I’m not just talking about Ethan, and you’ll have to read to know more about that part.
You know what you’re getting into, a broken heart and the typical ending but the lights, the camera, the action, there is a reason that porn is continually evolving, and your tastes may change by certain degrees with this title. For better or worse, this is honestly so much better; Lily White is an incredible author and this work wow DIRECTOR, Producer, Lover, Oh My.
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